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Welcome to CRCPress. Please choose www. Your GarlandScience. The student resources previously accessed via GarlandScience. Resources to the following titles can be found at www. What are VitalSource eBooks? For Instructors Request Inspection Copy. His engaging and complex book is a major addition to the literature of early modern art theory.

It is a masterful demonstration of the ways in which the sources and techniques of intellectual history can be used to illuminate the history of art. Delbeke shows us how art theory works in early modernity, by examining the discourses and practices of seventeenth-century Rome through the lens of one of the most prominent figures of the age, Sforza Pallavicino, who was a philosopher, theologian and strikingly innovative aesthetic thinker whose ideas have surprisingly strong links with the aesthetic philosophy of the eighteenth century to come. Offering an invaluable guide to the intellectual ferment of the Seicento in the Eternal City, this is at once a work of theory and cultural history of a high order, and should be of interest to anyone who has ever fallen under the seductive sway of the Baroque.

John Lyons has proposed that Baldinucci portrays Bernini as a timeless entity. Because of the transcendental talent of the artist, Bernini does not develop. After all, as Baldinucci pointed out, Bernini himself had left the works for us to see for ourselves. Indeed, the narrative moves forward by dint of papal time.

Fame and making a place in history drove early modern life-writing. But such idealization was the rightful province of early modern life-writing. On the contrary. While Baldinucci writes in roughly chronological order, at times he departs from that order either knowingly or unknowingly for the sake of thematic coherence.

Like the artist, the saint was pierced by an arrow, but she, like Bernini, reacted not with mortal pain and anguish, but with exquisite pain and love of God. In other words, using the biographies to establish dates with any precision is tricky, for facts are often subservient to some degree to the thematic needs of the text. Although the philological problems in such readings are considerable owing to the complex genesis and authorship of the two texts, reading Domenico and Baldinucci side by side is rewarding if not necessary.

In fact, one might say that the two texts provide almost a running commentary on each other. Two brief examples suggest the richness of the comparisons. How both authors come down on these crucial questions is foundational for the aims of their Vite. A second example can be found right on the title page: both authors use virtually the same title for their books, as if one were to supplant the other. This is especially the case with the Vite of Michelangelo.

Bernini never engaged in any kind of formal theorizing of art and yet here, in nuce, is what might be called a theory of art. These passages, though, should be read in the context of the thematics of the entire text, and also in tandem with passages that do not invoke an art-theoretical vocabulary. In reading this Vita we should be as attentive to what Baldinucci included as to what he excluded from view.

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With this introduction, we have attempted to give the reader a sense of the wide variety of research and questions that have been brought to bear upon this text, and of the many possibilities for further investigation and reflection that scholarly work and, above all, this rich and complex text itself have opened up.

For a full bibliography and a more sustained development of the arguments presented here, we refer the reader to all of the contributions to that volume.

Our aim here is to offer a bibliographical orientation, including the works referred to in the Introduction. After its first publication in Vita del cavaliere Gio. Florence: SPES, — Staderni, , especially 54 n. Franco Mormando is preparing an extensively annotated English translation. Newman, preface by Ernst H.

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More recent works include Matthias Waschek, ed. A good introduction to early modern biography is Thomas F. Mayer and Daniel R. Woolf, eds. By Vivien Ma Northcote. By Maarten Delbeke. By Cynthia Hahn. By Venetia Porter. By Sister Wendy Beckett. By Melissa McCormick. By John Lowden.

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By Anastasia Lazaridou. By Edward Lucie-Smith. By Dennis McNally. By Timothy J. By Christine Panyard. By Michael Ebifegha. By Eliane Strosberg. By Paul Williamson. By John Rush.

GIANLORENZO BERNINI: Illusionism and Mysticism

By Martina Bagnol. By Bernard L. By Richard Stemp. By Keith Richardson. By Joseph Lewis French. By Vivian Mann. By Martina Bagnoli. By Peter Pearson. By Martina Degl'Innocenti. By Judith McLaughlin. By Diana Gisolfi. By Sara Maitland. By Solrunn Nes. By Joseph Leo Koerner. By Ortrud Westheider. By Donald Jackson. Home Books Art. Items Per Page: 15 30 60 Year Newest Pub. Check box to include out-of-stock items. View: Grid List. March 10, Fleeing Tibet for their lives, the family of His Holiness took what they could carry,including a set of 15 scroll paintings called the Tsongkapa Eighty.

As an art form,the scrolls are magnificent. Based on these paintings, the authorshave researched and written an amazing work; it is the story told through thescrolls, and the history of how the paintings developed over the centuries. The Altars and Altarpieces of New St.

A study of the altarpieces of St. Peter's considered collectively for the first time. In this four-color illustrated journey that is part travelogue and part theological investigation, a bestselling author and acclaimed Bible scholar painstakingly travels throughout the ancient Eastern church, documenting through text and image a completely different model for understanding Easter's resurrection story, one that provides promise and hope for today. La Cappella Sistina: Cuore e simbolo della Chiesa, vol.

Innovative and lavishly illustrated, Painting the Gospel offers an indispensable contribution to conversations about African American art, theology, politics, and identity in Chicago. Kymberly N.

Pinder escorts readers on an eye-opening odyssey to the murals, stained glass, and sculptures dotting the city's African American churches and neighborhoods. Moving from Chicago's oldest black Christ figure to contemporary religious street art, Pinder explores ideas like blackness in public, art for black communities, and the relationship of Afrocentric art to Black Liberation Theology. She also focuses attention on art excluded from scholarship due to racial or religious particularity.

Francesco Sforza Pallavicino - Wikipedia

Throughout, she reflects on the myriad ways private black identities assert public and political goals through imagery. Folio, pages, cloth-bound, full-page colour illustrations, texts in English. Highlighting the birth of the printing age to its apogee in the Reformation, this catalogue gathers forty-five of the most important Bible editions and biblical material in the history of the printed book.